Showing posts with label Channel 4. Show all posts
Showing posts with label Channel 4. Show all posts

3 Sept 2016

Emma Cline's The Girls, and women betraying other women

Reading Emma Cline's massively acclaimed new novel, The Girls [SPOILERS UPCOMING] - which I believe deserves nearly all the hype it's had recently - it occurred to me how much of the story is really about the terrible lengths women will go to in order to earn the adoration of a man.

Loosely based on the horrific true story of the Manson Family, the book follows a fictional teen girl, Evie, who is seduced into the world of a cult, consisting mostly of young women like herself, and led by a charismatic older man. Competing for the male leader's attention, and all making themselves sexually available to him, the young women resort to more and more extreme acts, until the story ends much like the real Manson Family's story did - in a bloodbath. This really got me thinking about how one of the trickiest parts of being a feminist (and a polyamorous one at that) is resisting the conditioning that tells us to hate, fear and treat other women as our competition. And how, like loving your neighbour as yourself and turning the other cheek, the hardest thing of all is remaining generously disposed towards women who are willing to mistreat you in order to gain the approval of a man.

So much of the book ponders on the asymmetry on the way girls and boys are raised to view their selves and their romantic lives; Cline does a fantastic job of setting up exactly what makes it so easy for Evie to get sucked into the cult. Passages such as this absolutely nail just why, however strong and sassy teen girls may seem, they are trained to want male validation from day one, and this is exactly what predisposes them to become victims:
"I waited to be told what was good about me. I wondered later if this was why there were so many more women than men at the ranch. All that time I had spent readying myself, the articles that taught me life was really just a waiting room until someone noticed you--the boys had spent that time becoming themselves."
If you've ever been a teen girl, chances are that passage will ring painfully, painfully true.

I loved Russell T Davies' Channel 4 drama, Cucumber not just for its frank, hilarious and real portrayals of the lives of gay men in the 21st century, but also for its commentary on the sad fate that seems to befall every heterosexual girl sooner or later. In my favourite bit of dialogue, protagonist Henry is confronted by his sister Cleo, regarding the soft porn YouTube channel he's been helping her teen son to run (yup, it's all a bit dysfunctional from the off). It's not the involvement of her son she minds so much, but the effects that this pornified world is having on her daughter, who has been plucking out her pubic hair until her skin is raw. Cleo rails against the world that has driven her clever, amazing child to this self mutilation:
"I looked on her phone. And there they are. All the photos. 12 years old and she's giving regular updates on her vagina. To the boys. Because that's what they do now, the boys. They tell a girl she's dirty if she's got hair, she's filthy, she smells. So she's literally pulling out every hair as it appears. And then she photographs herself. Because that's her currency. That's where she ranks. On the league table of vaginas. 
Since they were eight, nine, that gang of girls has sat in this house and said 'No boy is ever going to tell me what to do.' And then they hit puberty and it's like someone flicks a switch. All of a sudden it's like, a boy can walk into the room, and they become slaves. On the spot. They are enslaved to him, like's it genetic. And there's nothing I can do to stop it."
Enslaved.

To read the rest of this post, why not support me on Patreon?

10 May 2013

Disability and Sex Work II - More Thoughts after watching 'Sex on Wheels'

I wrote about the issues surrounding the intersection of disability with sex work earlier this year, and got to thinking about it all again last night when I watched the Channel 4 documentary 'Sex on Wheels'. The immature and often downright cruel reactions to the hashtag #sexonwheels implies that a lot of people's thinking about disability and sex has not evolved beyond 'disabled bodies, EWWW, they're freaky, I don't want to see that shit' and 'crips having sex, how hilarious!' (this ableist language was actually used on Twitter). And I thought in terms of depicting explicit matters sensitively and tastefully, the documentary didn't do too bad a job. A lot of people seemed surprised/disgusted that a show about disabled sexuality would show a disabled man trying to give himself an erection (their reaction wasn't so much prudish, rather 'eww, gross, I've just had my dinner!'), but what exactly did they expect? The effect of spinal cord injuries on sexual function is an oft-ignored issue, but having cared for men with SCI, I can attest that it is indeed a problem, and one that can result in a lot of humiliating and undignified situations. Perhaps I'm a bit immune to the shock factor, having cared for a tetraplegic man who had to give himself an erection in order to put his catheter sheath on every morning (I would discreetly leave the room at this point), but I don't think it's a bad thing for able-bodied folk to see what disabled people actually have to go through, especially after a body-altering injury.
 
However, perhaps the facepalm-inducing reaction of idiots on Twitter was evidence of why the men in the film (and perhaps tellingly, the documentary focused on 3 men and only 1 women) felt the need to use escorts and/or pay for sexual services. When people's reaction to your sexuality is "I'm scarred for life after watching that...need therapy" (genuine Twitter comment), it's small wonder you might feel less assured about seeking a sexual partner than 'normal' people (I use this in quote marks but the phrase did come up several times during the programme). Even though Leah, a female wheelchair user with brittle bone disease, was shown going out to pubs/clubs and interacting with men, the reaction of one of her prospective partners was disheartening, implying he saw her as an 'experiment' or a box to be ticked ("I've never done that before, so..."). On the one hand, Leah seemed to be 'ahead' of her male counterparts in terms of being able to go out and seek sex without paying for it, but, if the only takers she got were (as a disabled Twitter user phrased it) 'creeps wanting to have a go on a crip', it wasn't a particularly positive picture of the disabled sex life either.
 
The justifications for disabled men paying for sex all seemed to be along the same lines - that disabled men couldn't get to pubs and clubs to meet women (none of the men portrayed were housebound or indeed seemed to have any problem getting around or meeting people), that their conditions made either interacting with women problematic (in the case of learning disabilities) or sexually engaging with women difficult (in the case of SCIs). There was talk of the need for skin-to-skin contact. But it all seemed framed by the assumption that the male desire to have sex is a need or a right which must be unquestioningly met, by any means necessary. And as both a care worker and a feminist who still struggles with the ideologies used the justify sex work, I really question that assumption. Even the description of the programme on my FreeSat box used this language, calling sex 'that most basic human need'. Er no, folks, I think we'll find oxygen, water, food and shelter come under 'basic human needs', not sex. Yet we saw the poignant struggle of the mother of John, a young man with a learning disability, who'd decided that the best way to deal with her son's 'loneliness' was to hire a sex worker for him to lose his virginity with. We weren't told if she'd considered other ways of helping John meet a woman - helping him to do online dating, or to access the community. He certainly wasn't housebound or incapable of socialising - we saw him playing football with other able-bodied men his age, and working at horse-riding stables. Yet for whatever reason his mother felt that his journey to discovering sex was one that had to be paid for.
 
While John's mother came across as incredibly well-meaning (not to mention pained and conflicted), and I don't judge her at all for her actions, I feel her quest was misguided. She was conflating female affection and company with sex, and assuming that sex would make her son 'a man'. As John himself pointed out, laughing 'I've been a man since I was 18!' - but the implication was obviously that until he had had sex, he was not, as a 26 year-old virgin, a 'normal' man. While the sex worker who visited John came across as sensitive, level-headed and compassionate, it all just seemed so contrived as she got ready in thigh-high boots and lingerie. How exactly was this going to relieve John's 'loneliness'? If he went on to make acquaintances with non-sex worker women, I didn't think that this experience was setting him up with particularly realistic expectations of what women act like or dress like in the bedroom. Also, the punchline was that after losing his virginity to the sex worker, John did go on to start dating a girl he met at a Christmas party. So, one couldn't help but wonder, was any of this actually necessary? Perhaps his first sexual experience had given him the confidence to approach the girl, but are we to believe that he would have been incapable of doing it as a virgin? By assuming that John was so socially incapable (a notion belied by the fact he actually went to a Christmas party in the first place) and that his first sexual experience had to be manufactured in this way, I feel that his mother ended up indavertently doing John and other learning disabled individuals a great disservice. There was also the somewhat offensive implication that virginity is a burdensome badge of unattractiveness that you should be eager to be rid of.
 
The attitude towards women and sex that this way of thinking promoted was pretty depressing to see. Watching John's friend flick through lists of available escorts on a computer reminded me of doing one's Tesco shop online, and made it feel distinctly as if the women were products to be selected. Much as I have tried to get on board with the defence that sex workers mount when accused of selling their bodies - namely that they sell their labour/services, not their bodies, just as everyone sells some kind of labour under capitalism - I don't think you can honestly divorce the job from the body. After all, escort sites are all about pictures, pictures of women dressed up and posed in the kind of way men are expected to like (lots of black and red lingerie, bending in various positions and lots of pouting and come-hither eyes). If sex work was really just about 'services', presumably the picture would not be necessary and you could just list the services offered. I think my biggest ideological problem with sex work is that it contributes to and endorses a picture of female sexuality that has nothing to do with female pleasure, and everything to do with male desire. While I'm not naïve enough to imagine that there aren't sex workers who enjoy what they do and exercise a great amount of control and choice over who they see, what they do and what they wear, my problem is that nothing about the concept of women selling sex to men promotes those things. In my view, it actively erodes it. The sexual desires, clothing choices and personalities of the women on those escort sites may have been partially present in their profiles, but I'd imagine were largely manufactured to flatter the ego and cater to the desires of the particular men considering the escort. As a feminist, I find it difficult to defend this, when I believe one of the most important tenets of feminism is fighting for free expression of female sexuality, unimposed upon by male demands (although this is not the same as saying I support hating on, shaming or imposing draconian laws on sex workers, as I believe that is equally anti-feminist).
 
All that said, it was interesting to see the experience of Karl, a man who had lost a great deal of his physical fitness after a spinal cord injury, and had seen his previously active sex life compromised by SCI-induced erectile dysfunction. Convinced that getting his erection back was the only way he would truly be happy (which I do think says a lot about how damaging prescriptive models of what constitute good sex can be), Karl ended up going to see a sex therapist/surrogate/healer. What actually took place between the two was tastefully glossed over, but we did see both Karl and the therapist completely naked together, and a lot of touching/stroking/cuddling which he clearly enjoyed. Divorced from the tacky-feeling tropes of naughty lingerie and seedy hotel rooms, this portrayal of a disabled person seeking sex came across as a lot less depressing, couched as it was in the kind of imagery we're more used to seeing in, say, reiki healing or reflexology. A friend of mine who is anti-sex-work said to me during a debate on the issue that she approved of this kind of holistic therapy, but not the dominant model of hiring someone just for mechanical, impersonal sex. I asked her at the time if that wasn't just making false distinctions, implying there's a 'right way' to do sex work and it's OK as long as it's all spiritual and touchy-feely and compassionate? Obviously I was making that value judgement myself, by virtue of the fact I felt less uncomfortable, and had fewer objections, watching this example of sex work than I did with others portrayed in the show. Maybe it was because the therapeutic angle was clear - Karl was being helped with a concrete problem and the therapist was not moaning, writhing or faking orgasms to make him feel good, but instead was engaging with his body much like a masseuse or reiki healer might. That said, we didn't see if any penetration took place, and if it did, that part might have looked a lot less 'therapeutic'.
 
The documentary raised a lot of questions for me, in terms of assumptions we make about sex. I object to the assumption that there is a 'right' to sex which permeated it, because I do believe that being intimate with another person's body is something you should have to work for. And I don't mean 'work for' in terms of buying drinks, expensive meals or jewellery, but rather work for by engaging with that person on some level. That engagement might only be a quick chat, or it might involve months of slowing getting to know someone, but I do think it should take more than a click of a button. Because otherwise, for all the insistence that sex workers don't sell their bodies, being able to order sex online like a bag of salad does seem pretty close to suggesting women are purchasable. I don't buy the excuses given about it being too hard for disabled men to meet women, because all the men in show were able to go out and about (we saw one doing karaoke), and as I've said above, one did a meet a girlfriend during the filming of the show. With online dating (which is what one of my disabled female friends uses), meeting people from the safety of your home is also easier than it's ever been, and if my experiences with online dating are anything to go by (and I mean the offers I received as well as the few I acted on), there are plenty of people who are up for no-strings-attached sex if that's all a person really wants. So the justifying of sex work via the 'needs' or the 'rights' of disabled people - and in the case of this documentary, it was only disabled 'men' whose needs for sex were justified thus - just doesn't ring true for me, based on this documentary or my real-life experiences with disabled people.
 
You might ask, what's really the difference between a one night stand and paying a sex worker? Probably not much, in terms of the interaction that actually takes place. But my objection is that one enshrines the entitlement of a man to sleep with a woman, whereas the other only reflects the freedom of two individuals to sleep with, or not sleep with, whoever they want. And yes, I know many sex workers would argue they are free to choose their clients, but that argument only extends so far in a job where turning down clients is obviously going to decrease your earning potential. It's also not the 'choice' to do the work that I'm denying. What I'm objecting to is about the social structures that this work feeds into - the still all-too-dominant idea that says men NEED sex at all costs, women must supply it regardless of their own wants and desires, and women who are lonely or horny will just have to live with the fact nobody wants them, and head to Ann Summers instead.

While the documentary unfortunately probably did little to change the minds of those who view disabled people as gross or comical (and who talk about the sex workers who visit them in slut-shaming terms), it did raise a lot of interesting questions about how we frame and view sexuality in this society - the pressures heaped upon men to assert their masculinity through fucking, the propagation of myths about the male sex drive, the often-invisibilised sexuality of disabled women. But it was disappointing in its assumption that sex must be obtained via any means necessary, and its failure to question why the obtaining of it must automatically, for disabled men, involve paying for it.

14 Jul 2010

Gender-blindness Is A Dangerous Condition

...especially when it comes to documentaries such as last night's The Ugly Face of Beauty on Channel 4. There seemed to be some good intention mixed in with all the mixed messages, but really it was a gigantic wasted opportunity to point out just why the promotion of cosmetic surgery is so hateful towards women. Instead, the programme focused on 'when surgery goes wrong', therefore neatly implying that having your breasts, stomach or face hoicked all over the shop by a surgeon is fine, as long as it's done right. Arrrghh.

While it's certainly criminal that there's so little regulation in the plastic surgery industry, and that cowboy surgeons are getting away with ruining people's bodies and lives, that seems to me to be an issue for Watchdog or Panorama - not an opportunity for a cosy pseudo-documentary on Channel 4 where on the one hand we can giggle at the maimed bodies of naive idiots who just wanted to look beautiful, and on the other still somehow fail to condemn the cosmetic surgery industry altogether. And why should it be condemned? Because, and I don't think this is too strong a statement, it is a form of insidious violence against women. Yes, women. Not a single case named on last night's programme was male. When the makers set up a 'fake clinic' in Essex city centre, luring customers in to sign up for surgical procedures with no advice, qualifications or regulation, everyone who entered the 'clinic' was female. Men were entirely absent from the documentary (apart from their presence as surgeons, of course), yet the makers seemed entirely blind to this fact and keep referring to 'people', 'patients' and 'the public' as being sucked in by the dubious tactics of the cosmetic surgery industry.
My mind boggles at this attitude, especially as it was screamingly obvious to me that the programme could and should have been titled "The Ugly Face of Beauty And How Women Are Affected By It". Without even needing to try, the programme showed in painful detail just how pressured, coerced and brainwashed so many women are into thinking that their breasts must resemble watermelons, their stomachs should be flat if not concave, and that wrinkled faces are a sign of evil which must be wiped out. It showed how the industry teaches women to hate and mistrust their bodies and believe that the answer lies in a surgeon's scalpel, and how ultimately proponents of CS wish to homogenise the ideal of beauty to the terrifying drag-queen-gone-wrong archetype described above. I can understand that gory scars and grossly misshaped breasts are more of a viewing pull than feminist analysis, but having lured the public in with the sensationalist maiming, couldn't the makers have at least made some kind of point about how the hatred the beauty industry perpetuates is clearly gendered? They clearly weren't afraid to criticise the cosmetic surgery profession up to a point, but chickened out short of proposing that perhaps one of the reasons surgeons don't seem to care if they botch a procedure on a woman's body, is that they have nothing but contempt for the female form.
It was particularly disappointing to see the presenter of the programme, Dr Christian Jessen, tell a lady who had been duped by the 'fake clinic' that 'there's nothing wrong with you wanting cosmetic surgery', but scolding her to make sure a doctor is legitimate and trustworthy first. To me, this is about as morally acceptable as telling a black person that it's fine to bleach their skin, just make sure you read the ingredients on the packet first. The point is not about information, regulation or any of that. It's about just how twisted and brimming with hate for women cosmetic surgery procedures are in the first place. But the makers of the programme seemed to be too worn down by the modern acceptance of contempt for the female body, to even consider that.